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Informazioni su Nicola "Kitora" Crivelli

Istruttore Scuola d'Arte Bonsai e Istruttore Kitora's Bonsai School

Workshop di franco

IMG_8120 Franco oggi a portato un Goyomatsu dalla corteccia molto vecchia, cortecciato anche sui ramiIMG_8121 Il retroIMG_8122 IMG_8123 Alcuni rami sono posizionati alla stessa altezza, vediamo come possiamo evitare l’effetto croce.IMG_8124 Si facia molto bene il primo ramo.IMG_8125 IMG_8126 con una leva e un tirante pieghiamo il tratto dritto del ramoIMG_8127 IMG_8128 IMG_8129 IMG_8130 IMG_8131 IMG_8132 IMG_8133 IMG_8134 Questo ramo è problematico, molto grosso per la zona apicale, per prima cosa viene sfoltito.IMG_8135 Poi si procede a svuortarlo con la fresaIMG_8136 IMG_8137 IMG_8138 Il questo modo si potrà sbassarlo senza problemi.IMG_8139 IMG_8140 IMG_8141 IMG_8142 IMG_8143 Il penta a filatura ultimataIMG_8144 IMG_8145 IMG_8146 IMG_8147 IMG_8148 IMG_8149 IMG_8150 IMG_8151 IMG_8152 IMG_8153 Un materiale problematico. i due tronchi sono molto simili e hanno una partenza a UIMG_8154 IMG_8155 Si fascia e si piega.IMG_8156 IMG_8157 IMG_8158 IMG_8159 IMG_8160 IMG_8161 Si tratta di una preparazione di materiale, i rami non vengono filatiIMG_8162 Un materiale preparato per realizzare un shohin di tassoIMG_8163 IMG_8164 IMG_8165 IMG_8166

Nihon de Hajimete, Part 12: Pottery and Display Journal Part 3

Avatar di japanesepotsJapanese Bonsai Pots Blog

Continuing where we left off, today we take another visit to Shunkaen, Kimura’s garden, and S-Cube, and Yorozuen and check their pottery. So, without further ado:
Shunkaen
Kobayashi San has one of the most impressive collections of antique and world class pottery available anywhere in Japan. Many of the containers on display and in the several sales areas are famous and published in exhibition albums(and those albums are always available nearby for you to take a look!).
There are several display areas, and, sadly, I didn’t get any decent photos of the upstairs display area with smaller and medium pots, but, suffice to say, it was impressive, nearly everything in pristine condition.

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Kobayashi San showing us the large antique and specimen containers in the Shunkaen museum.

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Drool…..

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Shelves of antique and specimen pots in the sales area.

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Another view.

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A selection of Sharaku containers.

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Some nice antique containers.

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Old Crossing…

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workshop di Melanie

IMG_8059 IMG_8060 IMG_8061 IMG_8062 IMG_8063 IMG_8064 Si studia la pianta.IMG_8065 IMG_8066 Si polisce e risana il secco.IMG_8067 IMG_8068 Melanie con la fresaIMG_8069 IMG_8070 Sul retro Melanie lavora un moncone di legna secca poco interessante.IMG_8071 IMG_8072 IMG_8073 IMG_8074 IMG_8075 IMG_8076 IMG_8077 IMG_8078 Lavori sullo shariIMG_8079 IMG_8080 IMG_8081 IMG_8082 Melanie studia un progettoIMG_8083 IMG_8084 Ecco il fronteIMG_8085 IMG_8086 IMG_8087 Si fila e si pota.IMG_8088 IMG_8089 sia un ramo troppo grossoIMG_8090 IMG_8091 IMG_8092 Il fronte.IMG_8093 IMG_8094 IMG_8095 IMG_8096 Lato sinistroIMG_8097 Lato destroIMG_8098 il retroIMG_8099 Il lavoro per domani, filatura e potatura di un mio abeteIMG_8100 IMG_8101 IMG_8102 IMG_8103

Zuisho

Avatar di johnmiltonbonsaiJohn Milton Bonsai

Here’s my first zuisho I was given to style.

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There was no angle change or front change (the first pic). It was just a case of cleaning it up, jining the dead back branch and wiring the tree up.

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One thing I did is I split the back branch into two levels (as it was long) to replace the missing back branch.

Oyakata’s correction’s.

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What Oyakata did is spread the branches more. I thought I had spread them fairly well but, he says that if there is space the pads need to be spread out a lot, as it looks natural. Growth would naturally spread towards areas of space and light in nature. In time as the tree grows these areas will fill out.
The main branch is actually made of two branches which I made into one pad but, Oyakata changed it a bit by making it a pad…

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