Japan Suiseki Exhibition at the Tokyo Metropolitan Art Museum

Avatar di William N. ValavanisValavanis Bonsai Blog

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History was made on February 9-13, 2014 when the newly reorganized Nippon Suiseki Exhibition held the first ever suiseki exhibition at the Tokyo Metropolitan Art Museum. Under the leadership of Kunio Kobayashi (Chairman) and Seiji Morimae (Secretary General), the event was held concurrently during Part 2 of the Kokufu Bonsai Exhibition so people could enjoy both arts in one venue (separate floor galleries). This brings a new era to the combination, appreciation and promotion of bonsai and suiseki.

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As often the case, the opening ceremony was a colorful event with a few speeches from prominent figure heads and officers. Seiji Morimae was the MC and did an excellent job keeping the event moving along. After the formal ribbon cutting ceremony they lead visitors into the four gallery exhibition containing some of the most famous suiseki in Japan including a rare treasured suiseki which has not been seen outside a Ueno…

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Da chokkan a sankan-Workshop di Melanie

IMG_8431 Un ginepro da talea da 20 €

IMG_8458Il risultato dopo una giornata di lavoro

1010103_10202198166494358_114072712_n 1017393_10202198165734339_1321474952_n Piccola lezione sulla tecnica della separazione delle vene e i percorsi linfatici.1557547_10202198166974370_1999000375_n 1901168_10202198167934394_1750712030_nIMG_8432 Melanie pulisce la corteccia, è importante togliere scaglie ed impurità.IMG_8433 IMG_8434 Con un pennarello si traccia dove dovremo incidere con il fessuratore.IMG_8435


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Prima suddivisione del tronco in due partiIMG_8438 Bisogna fare attenzione a seguire le vene del legno.IMG_8439 Ora il tronco è suddiviso in tre parti di differente spessore.IMG_8440


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IMG_8442 Si svuota con l’ausilio di una fresa elettrica la parte centrale del tronco. Vengono applicati anche dei tutori.IMG_8443 IMG_8444 I tre “tronchi” vengono avvolti con del nastro auto agglomerante.IMG_8445 IMG_8446 I tre “tronchi” vengono filati con filo di rame abbastanza grosso.IMG_8447 IMG_8448 IMG_8449 IMG_8450 I tre “tronchi” vengono impostati creando curve dolci e sinuose.

I tronchi vengono anche ruotati sull’asse in modo che la vena e lo shari avranno un movimento a spirale.IMG_8451 IMG_8452 IMG_8453 IMG_8454 IMG_8455 IMG_8456 Il ginepro alla fine del primo step.IMG_8457 IMG_8458 IMG_8459 IMG_8460 IMG_8461 IMG_8462 Vista lateraleIMG_8463 Rinvaso di un chojubai da talea.IMG_8464 IMG_8465 IMG_8466 IMG_8467 IMG_8468

Light pruning on a Japanese Maple

Avatar di Brian VFNebari Bonsai

This tree has been developed over the last 12 or so years, so at this point, the goal is to refine the tree; improve the nebari, soften the rough edges, and develop the fine ramification of twiggy growth.

Last year I thread-grafted seedlings into the base to improve the nebari. In a few weeks, I’ll eagerly repot and check on the progress.

Some of the rough edges include primary branches that I didn’t adequately shorten from the jump. They’ll be replaced gradually over time. The upright above the first left branch will be the first to go, and I’m moving new, finer branches into that space. More on that another day.

The twiggy growth comes through pinching new growth early in the spring, and removing heavy, stronger shoots during the winter, when it’s easier to see.

Here are a few shoots that have grown strong, and need to be reduced…

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A Visit To Shinji Suzuki’s Bonsai Garden

Avatar di William N. ValavanisValavanis Bonsai Blog

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Heavy snow continues to fall in Tokyo on Saturday, it’s one of the biggest storms I’ve experienced in Japan. This would be just an ordinary snowfall for Rochester, NY, where nothing would be closed and school would go on as normal.

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At breakfast I saw Michael Hagedorn with some of his students who were on their way to Obuse, near Nagano to visit Shinji Suzuki’s garden. Michael studied there about seven years ago and is returning for a few days. Mr. Suzuki is in Tokyo setting up the Kokufu Bonsai Exhibition Part 2 and the new Japan Suiseki Exhibition. Since I’ve never visited Mr. Suzuki’s garden, Marc Arpag and I immediately changed our plans and joined Michael’s group. Everyone stayed in Obuse for a few days, but Marc and I returned to Tokyo a couple of hours later.

Obuse is a few hours from Tokyo in normal weather. But this…

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A Visit To The Shunka-en Bonsai Museum

Avatar di William N. ValavanisValavanis Bonsai Blog

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We had a private morning visit to the Shunka-en Bonsai Museum of Kunio Kobayashi in  the Edogawa area of Tokyo, Japan. Mr. Kobayashi has developed his museum to display many of his masterpiece bonsai in a garden setting as well as in formal alcoves. This is a most complete example of how bonsai can be enjoyed and appreciated in formal displays as well as illustrating the necessary outdoor environment for health and training.

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In addition to having each bonsai in pristine condition, each specimen was matched to the perfect display table in size, color, design and quality. The accessories, antique containers, scrolls, as well as the display tables were all first class and of the highest quality, typical of the refinement Mr. Kobayashi enjoys and teaches.Image

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Graduate apprentice Peter Warren from England returns back to his teacher for assistance during the busy…

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Kuromatsu

Avatar di johnmiltonbonsaiJohn Milton Bonsai

On my return to Japan we have been pretty busy with the past Meifu-ten and The impending Kokufu-ten. Mostly the work has been styling/wiring with the occasional black pine/kuromatsu needle pulling.

I thought I would share a few of tree’s that I have recently wired and they are all black pines.

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This is a kifu sized black pine.
I didn’t get round to taking a before picture, I should have done because it wasn’t a bad transformation. The tree was very dense, I pulled all the old needles and thinned out a fair bit before wiring.

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Another tree I did was this shohin black pine. Again unfortunately I didn’t get round to taking a before pic. This also was a bit of refinement work for sales.
It is looking a bit yellow here but, has greened up since coming out of the cold for a while.

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This is a Kuro…

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Raijiū

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Il raijū (雷獣? “l’animale tuono” o “la bestia del fulmine”[1]) è uno yōkai della mitologia giapponese. Il suo nome viene dal giapponese rai (雷? tuono) e jū (獣? bestia, animale). il suo corpo è composto da luce o da fuoco. Può avere la forma di un gatto, di un tanuki (狸? cane procione) (altra creatura mitologica giapponese), di una scimmia o di una donnola. Il può anche volare sotto forma di sfera di luce (questa creatura è stata creata per spiegare il fenomeno del fulmine globulare). Il suo grido è come il boato del tuono.

Il raijū è il compagno di Raijin, il dio shinto del fulmine. il demone è generalmente calmo ed inoffensivo, tuttavia, durante le tempeste diviene molto aggressivo e distrugge campi, alberi ed abitazioni.

Un altro comportamento bizzarro di questa creatura è che a volte dorme dentro l’ombelico degli umani. Inoltre, quando c’è il cattivo tempo, le persone superstiziose dormono sempre a pancia in giù.

http://it.m.wikipedia.org/wiki/Raij%C5%AB

2014 88th Kokufu Bonsai Exhibition– Part 1

Avatar di William N. ValavanisValavanis Bonsai Blog

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Japanese flowering quince, Chaenomeles speciosa

After an uneventful and on-time arrival in Tokyo our group was “welcomed” by cold and wet snow. NO, I did not order the weather, in fact the meteorological conditions were better in Rochester than Tokyo. But, my wife, Diane, did get stuck at the airport in Newark for several days on her way home from the California Shohin Bonsai Seminar.

 

Kora Dalager’s and my International Bonsai Tour Exploration this time includes 20 people from New Zealand, Canada, Mexico, Australia as well as from the United States. Four close friends from my “Crew” in Rochester joined me this time which are members of the Suiseki Study Group of Upstate New York and also officers of the Bonsai Society of Upstate New York. Two of us will have suiseki on display in the new Suiseki of Japan Exhibition opening on Sunday.

The Parkside Hotel in Ueno…

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